专辑简介：
在约翰·塞巴斯蒂安·巴赫（Johann Sebastian Bach）为小提琴和大键琴创作的奏鸣曲中，键盘乐器通过协奏曲和对位作曲与小提琴进行了真正的对话。巴赫在 1718 年至 1722 年间创作的这些作品重新定义了巴洛克三重奏，标志着 18 世纪室内乐的决定性发展。Le Stagioni 合奏团由大键琴演奏家保罗·赞祖（Paolo Zanzu）、小提琴家丽芙·海姆（Liv Heym）和古大提琴演奏家克里斯托夫·科恩（Christophe Coin）组成，他们使用历史悠久的乐器或适当的复制品为这些奏鸣曲赋予了丰富的表现力和深度。
艺术家简介：
丽芙·海姆（Liv Heym）来自德国柏林，曾师从海因茨·丁特（Heinz Dinter）、乌尔里克·阿尼玛·马特（Ulrike-Anima Mathé）和丹尼尔·菲利普斯（Daniel Phillips）学习小提琴和室内乐。丽芙拥有德特莫尔德音乐学院音乐教育和现代小提琴演奏学位，以及茱莉亚音乐学院历史演奏硕士学位，师从莫妮卡·哈格特（Monica Huggett）和辛西娅·罗伯茨（Cynthia Roberts）。
保罗·赞祖（Paolo Zanzu）在意大利、巴黎音乐学院（CNSM）和伦敦皇家音乐学院师从奥里奥·布切拉托（Orio Buccellato）、诺埃尔·斯皮思（Noëlle Spieth）、克里斯托夫·鲁塞（Christophe Rousset）、卡罗尔·塞拉西（Carole Cerasi）和帕特里克·科恩（Patrick Cohen）之后，他开始了大键琴和古钢琴独奏家的职业生涯，曾多次在国际重要场合演出，包含BBC Proms、乌得勒支早期音乐节、卡塔赫纳国际音乐节、拉谢·迪厄音乐节、蒙彼利埃奥西塔尼广播节。保罗·赞祖还是一名坚定的教学者，自 2011 年以来一直在布鲁塞尔皇家音乐学院教授低音提琴。他的教学作品集《十六世纪和十七世纪意大利音乐大师》于 2013 年由 Ricordi 出版。
克里斯托夫·科恩（Christophe Coin）出生于法国卡昂。他在家乡师从雅克·里波什（Jacques Ripoche），后在巴黎师从安德烈·纳瓦拉（André Navarra）。他是尼古拉斯·哈农库特（Nikolaus Harnoncourt）和约尔迪·萨瓦尔（Jordi Savall）的弟子，曾作为 Hespèrion XX 的成员与他们合作多年。作为独奏家，他经常受邀与最负盛名的早期音乐乐团合作，如 Concentus Musicus Wien、古代音乐学院和 Il Giardino Armonico。他曾担任 Ensemble Baroque e Limoges 的艺术总监长达 20 年之久，其录制的巴赫大合唱等作品赢得了广泛赞誉。1984 年，他创立了马赛克四重奏，并一直担任团长。莫扎特、海顿、贝多芬、舒伯特是他们的主要
曲目列表:
；他们的唱片多次获得著名的留声机大奖。克里斯托夫·科因曾在巴塞尔 Schola Cantorum 和巴黎音乐学院教授大提琴和维奥尔琴。作为独奏家和指挥家，他在全球各地举办过多场音乐会。
01. Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014_ I. Adagio
02. Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014_ II. Allegro
03. Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014_ III. Andante
04. Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014_ IV. Allegro
05. Sonata No. 2 in A Major for Violin and Harpsichord, BWV 1015_ I. Dolce
06. Sonata No. 2 in A Major for Violin and Harpsichord, BWV 1015_ II. Allegro assai
07. Sonata No. 2 in A Major for Violin and Harpsichord, BWV 1015_ III. Andante un poco
08. Sonata No. 2 in A Major for Violin and Harpsichord, BWV 1015_ IV. Presto
09. Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016_ I. Adagio
10. Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016_ II. Allegro
11. Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016_ III. Adagio ma non tanto
12. Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016_ IV. Allegro
13. Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017_ I. Largo
14. Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017_ II. Allegro
15. Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017_ III. Adagio
16. Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017_ IV. Allegro
17. Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018_ I. Largo
18. Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018_ II. Allegro
19. Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018_ III. Adagio
20. Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018_ IV. Vivace
21. Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019_ I. Allegro
22. Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019_ II. Largo
23. Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019_ III. Allegro, Cembalo solo
24. Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019_ IV. Adagio
25. Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019_ V. Allegro
26. Sonata No. 6 in G Major for Violin and Harpsichord (Early Versions), BWV 1019_ I. Vivace
27. Sonata No. 6 in G Major for Violin and Harpsichord (Early Versions), BWV 1019_ II. Largo
28. Sonata No. 6 in G Major for Violin and Harpsichord (Early Versions), BWV 1019_ III. Cembalo solo
29. Sonata No. 6 in G Major for Violin and Harpsichord (Early Versions), BWV 1019_ IV. Cantabile ma un poco adagio
30. Sonata No. 6 in G Major for Violin and Harpsichord (Early Versions), BWV 1019_ V. Adagio
31. Sonata No. 6 in G Major for Violin and Harpsichord (Early Versions), BWV 1019_ VI. Violino solo
32. Sonata No. 6 in G Major for Violin and Harpsichord (Early Versions), BWV 1019_ VII. Presto